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Stream It’s the Great Pumpkin, Charlie Brown Online. Movie Title: It’s the Great Pumpkin, Charlie Brown Average customer review: It’s the Great Pumpkin, Charlie Brown is available for streaming or downloading. Click Here to Stream or Download It’s the Great Pumpkin, Charlie Brown

I have grown up watching this movie every Halloween since age 5. Honestly, I’ve probably watched this video more than any other video I have and I cherish it EVERY SINGLE TIME–never a expressionless moment! If you adore Schulz, Snoopy, the Peanuts gang and/or Halloween you simply must possess this! It deserves the highest possible rating; five stars doesn’t do it justice. It has perfect editing, illustrations, music, voices, script–EVERYTHING ABOUT THIS IS PERFECT! I’ve done over 70 reviews and I do maintain this is the first time I have EVER extinct the word perfect in one of them!

My celebrated scenes are the Snoopy ones, especially the World War 1 Flying Ace (flying doghouse scene with gargantuan colors) and the piano scene at the Halloween party where Snoopy dances and marches to the delighted song and then changes moods and cries to the dim song..repeating twice. I laugh out loud til I bellow every single time! YA GOTTA Cherish SNOOPY! He is so shiny but sensitive too! What a dog!

My second celebrated character in this video is Sally–the plot she pitches a fit in the pumpkin patch and says “I was robbed!” then threatens to sue Linus–so hiliarious also! Again it makes me laugh til I bawl!

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Lucy the bossy and sometimes downright grouchy (to set it mildly) shows a soft side the contrivance she wakes up in the middle of the night, goes to check on Linus and finds his bed empty, then gets dressed and goes to net him freezing in the pumpkin patch and puts him to bed without a word. The ending with Charlie Brown and Linus is endearing as well.

Each character is so unusual and attractive! Objective Come By THIS VIDEO! TRULY A TIMELESS CLASSIC! YOU’LL Adore IT–TRUST ME!

I didn’t grow up watching this cartoon every year on TV. In fact, I unprejudiced saw it for the first time last year. However, I liked it immediately because of my admire for the Peanuts gang.

There are several account threads, but no one overall myth. The gang’s plans for Halloween night are interspersed with scenes of Snoopy being a WWI Flying Ace and Charlie Brown trying to kick the football because he has a signed mark from Lucy. (Classic line – “It’s not notarized.”) Charlie Brown cuts too many holes in his ghost sheet, gets rocks in his bag, and becomes a model for a pumpkin face. Meanwhile, Linus and Sally await the Stout Pumpkin.

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Also on the DVD is You’re Not Elected, Charlie Brown. This one follows a more unified anecdote of Linus trying to become student body president. Things are going well, until he starts talking about the Tall Pumpkin.

The DVD offers no extra beyond these two classic TV specials. The describe is intelligent and the sound is gargantuan, however.

This DVD belongs in any Peanuts fan’s library.
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Streaming I Spit On Your Grave Online. Movie Title: I Spit On Your Grave Average customer review: I Spit On Your Grave is available for streaming or downloading. Click Here to Stream or Download I Spit On Your Grave

I remember first seeing ” I Spit on Your Grave” twenty plus years ago when I was fifteen or sixteen years aged. The video store should have never allowed me to rent it; this film deserves a stronger rating than R.

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Certainly, over the years my memory had embellished the film; nonetheless, it aloof jumpy me, today.

It is easy to forget that there are actors following a script. The film is evenly paced and unrelenting. Unlike ” The Last House on the Left,” there is no laughable relief to remind the viewer that there is a director. One is forced to confront the brutality of rape and violence.

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The actress is quite convincing and deserves recognition. The rape scenes are borderline snuff quality except for the fact the editing and directing have moments of brilliance. The men are sickening and easily hated; they are unbiased vicious animals without any redeeming qualities, yet they are believable. Let us not forget, there are men who commit these attrocities. One can delight in why she seeks revenge.

Without ask, the rape scenes are some of the most disturbing moments in cinematic history. The castration scene is unparalleled. The special effects are unbiased that, effective.

The DVD is an apt package. ” I Spit on Your Grave” isn’t presented as a grievous budget film. It is art; it’s not a slasher flick; it’s not meant for entertainment.

Buyer beware…

When movies first came out on video there were two legendary exploitation films I had to track down. One was “The Texas Chainsaw Massacre” and the other was “I Spit on Your Grave,” which is actually the more memorable film of the pair overall (although I do grant the highest status to the “hook” scene in TCM) . Director Meir Zarchi’s 1978 film has become rather inferior, since critics hated it, audiences were outraged, and the film was banned in Germany and Immense Britain. The sage, such as it is, finds Jennifer Hill (Camille Keaton, Buster’s grand-niece) out in the woods of Connecticut to work on a modern when she crosses the path of some local boys who settle she should be the first sexual partner for their mentally-disabled friend. When he cannot complete the rape, his friends do it for him. Then they choose that they are not done with Jennifer.

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At converse are not Jennifer’s specific acts of revenge, including the horrible bathroom scene, but rather the series of brutal rapes that precede them. I do not want to meet anyone who is not vexed by these rape scenes and I believe it is fairly certain that Zarchi intended to form audiences unhappy. In retrospect you have to wonder about all those movies with rape scenes that do NOT upset the audience (the new determined exception that proves the rule would be what happens in “Monster” good before the first destroy) . But Zarchi certainly pours it on thick, absolutely assuring that things go beyond the tolerance level of anyone who watches this film. So the bottom line is that this film will upset you and it is therefore effective at doing exactly what it wants to do. I have always considered this an “X” rated movie although I would not deem it pornographic in the stale sense. But it is a very disturbing film and I do not consider I would want my kids to behold it until after they graduate college (if ever) . Anyone renting this film for cheap thrills is in for a shock.

As I now understand it, this 1978 film was originally released as “Day of the Woman,” but that rather innocuous title was replaced by the well known “I Spit on Your Grave,” although the film was also screened as “I Dislike Your Guts” and “The Rape and Revenge of Jennifer Hill.” All of this is arresting since it seems the producers were trying to pass off this film with both higher and lover levels of pretention. The cult region here is more for the shock value than any cheap artistic pretentions, that is for clear.
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Watch A Patch of Blue Online. Movie Title: A Patch of Blue Average customer review: A Patch of Blue is available for streaming or downloading. Click Here to Stream or Download A Patch of Blue

This is a astonishing low-budget, unlit and white film starring a immense cast of actors: Sidney Poitier, Shelley Winters, Wallace Ford, and then newcomer, Elizabeth Hartman. It was filmed in 1965, at the height of the civil rights movement, and was then indispensable for its budding inter-racial romance. While this aspect may seem rather tame today, at the time the movie was filmed, this was composed a somewhat controversial theme in many parts of America.

Elizabeth Hartman, in an exquisitely poignant performance for which she was nominated for an Academy Award, plays the allotment of Selina D’Arcy, an eighteen year musty blind girl who lives an isolated and impoverished, almost Dickensian, existence. She lives with her abusive mother, Rose-Ann (Shelley Winters), who moonlights as a prostitute, and her drunken, though somewhat well-meaning, grandfather, whom she calls Ole Pa (Wallace Ford) . Uneducated, having never gone to school, Selina spends her time stringing beads to accept some money for the family, cleaning up after her mother and grandfather, and being at the receiving slay of constant physical abuse and verbal invectives heaped upon her by her mother. Hers is, indeed, a draconian existence.

One day, she prevails upon her grandfather to descend her off in the park, where she proceeds to sit under a tree, stringing her beads. There, she meets a proper, well-educated business man, Gordon Ralphe (Sidney Poitier), who takes an interest in her and her quickly appreciation for any kindness done to her. She responds to Gordon’s kindness as if she were a flower turning its face to the sun for continued warmth. He, in turn, is touched by her alive to interest in even the most mundane of matters. They continue to meet under that tree as often as possible, and a relationship develops.

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Under Gordon’s tutelage, Selina begins to blossom. Some of her disclosures to him about her life gain him with awe and a determination to do something constructive about it. While he goes about trying to improve her quality of life, their relationship deepens, despite the warnings of Gordon’s brother. After all, Selina is white, uneducated, and comes from a trashy, dysfunctional family, while Gordon is gloomy, well-educated, and from a helpful family.

Selina, positive that what she feels is esteem, is less restrained than Gordon about her feelings, though their budding romance culminates in nothing more than a chaste kiss. When Rose-Ann finds out whom Selina has been meeting, however, matters arrive to a head, and Gordon comes to the rescue. A current day knight in quick-witted armor, however, Gordon does the selfless thing in the waste.

This is a amazing movie in which the two main protagonists, Gordon and Selina, believe each other by the disclose of their respective character and not by the color of their skin. Though controversial at the time, this film may seem a exiguous dated by today’s standards. Yet, some of its themes are as novel today as when it was filmed. The belief of selflessness and putting the needs of another before one’s absorb remains timeless. This is a opinion, however, rarely seen in today’s films.

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Although this was Ms. Hartman’s debut film, she deservedly received an Academy Award nomination for her sensitive portrayal of Selina. Unfortunately, her career never really took off after this film the map one would have expected after a performance of this caliber. She appeared only in a few vital films, such as, “The Group”, “You’re a Tall Boy Now”, and “Beguiled”, before descending into virtual obscurity. I was saddened to hear that she committed suicide in the slow nineteen eighties at the age of forty-five, a tragic figure in the kill, leaving slow this ravishing performance for posterity.

The key to the success of this film is its simplicity, including that it’s in murky and white. There is nothing to distract you from being enfolded in its beauty, and so your emotional involvement in characters, setting and spot is complete. It is a perfect period section belonging to 1965, but its appeal is timeless. It’s personal appealto me was as strong as if I were dreaming, and had the role of the blind girl! I dangled in emotional suspense until the very last scene, which shouldn’t be revealed to those who haven’t seen it! As an allegory of the civil rights movement, it spins the legend of outrageous injustice that could’ve continued were it not for one individual intervening for accurate (as in a itsy-bitsy number of dauntless people’s protests bringing an demolish to the darkness of Jim Crow injustice) . This is also a astonishing modern-day Cinderella record, complete with a prince (Poitier) who breaks the spell of the rank mother (Winters) . However the film is viewed the quality shines! The most vital point in this film is the juxtaposition of characters, in which Poitier’s character represents the sing of reason and responsibility, a ground-breaking role for a unlit man in 1965.
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Watch When We Were Kings Movie Online. Movie Title: When We Were Kings Average customer review: When We Were Kings is available for streaming or downloading. Click Here to Stream or Download When We Were Kings

There is a mountainous hole in this film, and it is in the depiction of the steady fight itself. Everything that led up to the fight is brilliantly presented. This is Ali in all of his greatness. You leer his fight strategy unfold as the film progresses. He turns the people of Zaire into his hometown crowd. You stare him psyche himself up by raising the stakes. The fight became more then the heavyweight championship. Ali was going to “trip down the alley ways and sit with the wine heads, and talk to the prostitutes on the streets…” Ali was going to better the world, and restore the shaded mans pride. All he had to do was beat Foreman first. And he loved to be the underdog. He loved to shock the world when nobody gave him a chance in hell of winning. You recognize him asking an audience of fight writers, “Who’s got George picked? Raise your hands. Who thinks George is gonna whup me? ” At a news conference he told Don King, “I know you got George picked, but I’m gonna prove you all impartial how broad I am.”

By the time Ali stepped into the ring, Foreman didn’t stand a chance. Ali was almost a decade past his prime, and Foreman was in the middle of his, but Ali was about to shred him, and this is where this film falls short. The fight is simply not accurately depicted. The film focuses almost exclusively on Ali’s rope-a-dope strategy. You are left with the impression that Ali was pounded on the ropes for 8 rounds, only to explode in a moment of glory, knocking out a tired and caught of guard Foreman. That is simply not the contrivance it happened. There were 8 rounds in this fight, and Ali won all 8 of them. Honest, he did lay on the ropes a lot, but that was only a part of his strategy. He demoralized Foreman by taking his best shots, and scoffing at them. Ali would taunt Foreman, “Is THAT all you got George? ” Then Ali would hit him with blistering combinations, almost at will. Foreman was staggered, several times. He was the perfect opponent for Ali because his head was a stationary target. Ali primitive it for a rush bag. Foreman’s face was puffy and swollen by the third round. Ali’s didn’t have a notice on it. Even Joe Frazier, who was doing commentary during the fight had to admit, “I don’t reflect George is gonna earn it.” He said that somewhere around the 5th. Jim Brown, who was also doing commentary, repeated over and over again, “Muhammad Ali is unreal.” But you peruse none of this in this film. Despite what the film shows you, Ali picked Foreman apart. He was intention past his prime, but this was, no doubt, his finest hour. Had Ali fought Foreman, or Frazier, or Norton, or anyone for that matter, when he was in his prime, their names would have been forgotten like all of the others that Ali disposed of early in his career. The name Joe Frazier would be familiar only to avid fight buffs, in the map the name Zorra Folley is now (one of Ali’s early victims) .

Buy this DVD. What it does well, it does very well. But I strongly aid you to follow it up by watching the entire fight. You can survey it on “Muhammad Ali, The Greatest Collection.” Then you will know the entire memoir.

For anyone who does not know the record that led up to this fight, here it is: In 1964, the mouthy impetuous Cassius Clay (soon to become Muhammad Ali) a 10 to 1 underdog, defeats the supposedly undefeatable Sonny Liston to become heavyweight boxing champion at honest 22 years used. Clay ragged his astonishing urge to pepper Liston into quitting on his stool after the 6th round. In 1967, Ali is stripped of his title for refusing to be drafted in the Vietnam War. Ali is reinstated in 1970 after a 3 and 1/2 year lay-off during his physical prime. Ali, now 29 years former, must fight Joe Frazier (who is in his physical prime at 27) to win his crown. The two meet in Madison Square Garden in the “Fight of the Century”, this first time two undefeated champions meet for the title. Ali loses to Frazier in 15 grueling rounds and it appears his chance to accumulate the title is history. In 1972, Ali is defeated by a relative unknown, Kenny Norton, in a 15-round decision that sees Norton atomize Ali’s jaw. It appears that Ali is finished. In 1973, Frazier loses the title to the young, mighty, Sonny Liston-like slugger, George Foreman. Foreman bounces Frazier around in the ring like a rubber ball, knocking him down 7 times before the fight is ended. After easily KO’ing the imposing Kenny Norton in one round, Foreman is seen as undefeatable, unbiased as Sonny Liston was in 1964.

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Now it’s 1974, Muhammed Ali is 32 and opinion to be well past his prime by the press and boxing world. Even his handlers feel Ali cannot beat Foreman and they apprehension Ali will be injure badly by Foreman. Foreman is ten years younger and undefeated Heavyweight champion of the world, a title he appears to enjoy for the next decade or more. Fight Promoter Don King offers both fighters a recount 5 million dollars apiece to fight. King finds a financial backer in Mobutu Sese Suko, the dictator of Zaire and the fight is region. Ali nick-names the fight the “Rumble in the Jungle” and looks forward to fighting Foreman in his ancestral “homeland” of Africa.

The documentary shows all the prefight shennanigans in detail, which builds to the genuine fight night. In the moments leading up to the fight, while Ali and his corner men are in the tunnel waiting to emerge to the ring, Ali senses the dour, almost funeral-like mood, and chastises his group for not believing in his ability to beat Foreman. He leads his group forward to meet Foreman, with Ali the only one convinced that he can earn. The fight is terrific. Ali plans to dance and disappear around the relatively uninteresting and immovable Foreman, peppering him with jabs and suitable crosses noteworthy like he did to Liston 10 years earlier. But Ali expends so worthy energy trying to avoid the KO punching Foreman that he knows he cannot sustain it up over 15 rounds, so he decides on the spur of the momment to lay on the ropes and let Foreman hit him in hopes of stupid Ample George and later decisioning him. Foreman, seeing Ali on the ropes good where he wants him, wades in and begins pounding on the stationary Ali. Ali proves difficult to hit even though he is not inviting! Round after exhausting round, Foreman pounds Ali to the body, and then throws haymakers to the head hoping to overwhelm Ali and knock him out. But Ali survives the best of what George can protest and in the 8th round he comes off the ropes and tags Foreman with a series of rights and lefts that drops George to the canvas! A timid Foreman is counted out by Zach Clayton the referee and ALi is once again the champion!

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After the fight, Ali holds a conference where he angrily chastises the press for writing him off as a fighter. Ali then proceeds in a monsoon rainstorm to his headquarters in the boring of night, himself disquieted by the Africans who line the street in the downpour hoping for a gaze at the unusual champion.

It is all very well done and is a must for any serious boxing fan. I highly recommend it.

konedog
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Baby Einstein – Baby Bach – Musical Adventure Streaming. Movie Title: Baby Einstein – Baby Bach – Musical Adventure Average customer review: Baby Einstein – Baby Bach – Musical Adventure is available for streaming or downloading. Click Here to Stream or Download Baby Einstein – Baby Bach – Musical Adventure

We started with Baby Mozart, which absolutely mesmerized our 6-month weak son, and promptly bought Baby Bach, Baby Einstein and Baby Shakespeare. I’d say Baby Einstein holds his interest a tiny less than the others (it’s more talk than music), but he really seems to luxuriate in them all. Some people seem not to like Baby Bach as grand as the others, but our son is no less eager about it than the others — in our idea, it’s objective as well made and the toys are fair as bright (plus, we like Bach!) I don’t hold in parking my child in front of the TV, but it is so fine to be able to achieve him in his high chair, inaugurate this video, then be able to go prepare his dinner, throw a load of laundry in, pick a shower — whatever — and know that he’ll be perfectly bellow for the next half hour, with the added bonus that it’s stimulating, educational and acquaints him with some huge music at an early age. I commend the woman who came up with the concept for, and created, these videos and wish I’d belief of it myself.

Our 6 month weak (very fussy) son absolutely adores Baby Mozart, and we were so relieved to have found something that calmed him down 100% of the time that we bought Baby Bach and Baby Einstein.

I heartily agree with those who say that Baby Bach is a astronomical step down from Baby Mozart–the “timing” (balance of images/music intervals) isn’t as obedient, the toys aren’t as engrossing to notice and the toys are not as well matched to the music. Furthermore, the “jazzed up” arrangements of the Bach music didn’t strike me as very sharp to babies, and (like other reviewers) my baby and I net totally bored by the images of the creators’ kids telling jokes, jumping around, and generally hamming it up for the camera. It seemed to me as if they ran out of ideas, so they decided to fair film their kids for a while and edit those segments in.

Though I’m a broad Bach fan myself, I reflect the tiniest tykes might not gain his music as racy as Mozart’s (at least not the selections they chose), and that may be another predicament with this video.

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That said, we are terrified that someday soon our shrimp one will net tired of Baby Mozart, so Baby Bach will do for variety. I’m not sorry we bought it, but I hope that the video’s producers will wait until they have enough unusual and edifying ideas before producing another video, rather than slapping together a production like Baby Bach.
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Stream Pilates For Beginners Movie Online. Movie Title: Pilates For Beginners Average customer review: Pilates For Beginners is available for streaming or downloading. Click Here to Stream or Download Pilates For Beginners

I had been searching for a arrangement to strengthen my core in hopes that it would lessen my chronic lower serve harm. I tried a park district class for 6-7 weeks but had to end because my serve was getting worse and i opinion that i impartial didn’t have the strength to do pilates. My friends kept insisting that pilates, when done correctly would really befriend me with my problems. I looked in to private lessons and knew i wasn’t able to earn the financial or time commitment. I decided to give it one more go with the relieve of a dvd. I lucked in to this dvd- picking it because it had Beginners in the title. What i didn’t query was to salvage such detailed oral and visual instruction. I understood more watching the dvd than i did in the classroom. It is easy to follow and has helped to improve my core strength so i can expend those muscles and depend on my wait on less. Maggie Rhodes not only teaches pilates moves she teaches how to go while doing them. This has been the most estimable aspect of the dvd, learning how to travel correctly. She gives detailed instructions on valid posture and breathing. I devour the routines and the variety, looking forward to the INTERMEDIATE version(hopefully to follow.)

This is one of the best beginner Pilates DVDs that you’ll score. The instruction is determined. The creep of the routines is perfect for someone who’s recent to Pilates, there are routines that are more absorbing as you progress and the beach is a very nice setting.
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Creature from the Black Lagoon – The Legacy Collection Movie Streaming. Movie Title: Creature from the Black Lagoon – The Legacy Collection Average customer review: Creature from the Black Lagoon – The Legacy Collection is available for streaming or downloading. Click Here to Stream or Download Creature from the Black Lagoon – The Legacy Collection

In a plot, I’m quite gratified that every attempt to remake this movie has failed to materialize; were Universal to remake it now, it would be a neo-slasher crap fest laced with nothing but screaming teenagers and a totally unsympathetic gore factory of a monster. And while there are purists out there who may claim that the Gill Man doesn’t really belong in the company of the other clssic Universal Monsters, the truth is that “The Creature From The Sad Lagoon” IS the last gargantuan Universal monster movie. What’s more, its sequels actually aren’t as unpleasant as others may want you to have, particularly since they do conclude the rare task of telling a different legend in each entry – more than the “Jaws” sequels could manage – and as the central sympathetic character of each fragment, the Creature himself does reveal essential character development over the course of three movies without degenerating into the high-camp reach that has since destroyed the likes of Jason Vorhees and Freddy Krueger.

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DISC ONE:

CREATURE FROM THE Unlit LAGOON

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Where better to begin than the beginning? You probably know the drill: a group of scientists – one of whom happens to spy particularly fair in a white bathing suit – putters down the Amazon in search of the fossils of a ‘missing link’ between man and fish, only to gain the living truth hiding out in a forgotten tributary. And it becomes determined that the Gill Man wants only two things: female companionship and solitude from everybody else. The area comely standard sci-fi fare for the 1950s (and earlier when you mediate the first two movies are naught but a submerged remake of ‘King Kong’, but more on that later), but it’s the execution of it that sets CFTBL above all other contenders of the era.

Under the expert direction of Jack Arnold, the cast is up to their task – as Kay Lawrence, Julia (Julie) Adams does sufficient acting to convince us she could have some scientific prowess despite her obedient screaming ability and astronomical legs; Richard Carlson does another friendly job of playing a scientist-hero type – something he was known for in ’50s sci-fi – as Kay’s fiance David Reed; Richard Denning makes a big antagonistic figure in the accomplish of David and Kay’s boss Heed Williams; and Nestor Paiva provides droll relief as Lucas, the eccentric captain of the RITA. Then, of course, there’s the ’star’, or rather both of him: Ben Chapman is the man inside the monster suit – with the slickest and most iconic monster develop of the ’50s – while topside, with Ricou Browning playing the Gill Man beneath the waves, a role he would reprise for the two sequels.

Filled with equal measures of emotional resonance, textbook dialogue and agreeable primitive shivers – accompanied by one of the most surprisingly functional ‘patchwork’ music scores ever produced – CFTBL is unquestionably the best monster movie of the ’50s, and one of the best sci-fi movies of that time.

BONUS FEATURES

Considering how few who were enthusiastic in making this movies are calm around today, Universal does an impressive job assembling its resources for the bonus features:

* The documentary “Abet To The Unlit Lagoon”, by film historian and Universal monster aficionado David Skal, provides some fascinating insights into the making of the Gill Man trilogy, including such revelations as:

- The studio’s fresh vision for the discover of the Gill Man, and what they intended to do with that stare after it was scrapped.

- The loyal makers of the Gill Man – including view artist Milicent Patrick and sculptors Chris Mueller and Jack Keban.

- Humorous anecdotes of on-set mishaps moving an eyebrow-raising trade-paper photo and a man-eating sea turtle.

- The principle gradual the 3-D in which the first two movies were filmed, and the truth gradual why the fad broken-down so snappy.

- Discussion about subtexts and implications in the films, and the progression of the Gill Man as a character.

* Audio commentary by film historian Tom Weaver, whose laborious dialogue drowns out the rest of the movie yet composed provides ever more sharp details into the making of the films – as he himself admits early on, he does have mighty more to say and short running times to do it in. Through these commentaries you learn such absorbing exiguous tidbits as what role Orson Welles played in the genesis of the Gill Man, and how the first two Gill Man movies resemble a positive classic movie about a giant ape.

* Theatrical trailers for the first film, which when watched back-to-back, as they’re presented, can rep a dinky stupid since most of the trailers believe the same rehashed footage and voiceover.

DISC TWO:

REVENGE OF THE CREATURE

A year has passed, and some more heavenly confident scientists determine to bewitch the Gill Man and bring him encourage to civilization and attach him on show in a marine life park, where he’s observed by a aesthetic blond icthyologist. I don’t deem I need to clarify the rest.

Needless to say, with a residence like that, you can safely steal none of the characters from the unusual film are going to build any return appearances, except for, of course, the funny relief, Nestor Paiva, and then for a cameo. Detached, John Agar as professor Clete Ferguson and Lori Nelson as icthyologist Helen Dobson do execute a cute scientist couple, with John Bromfield playing the obligatory macho shark-wrangler type/monster fodder Joseph Hayes. And there are two other very significant cameos – one a topside appearance by Ricou Browning as a lab tech, the other a comic appearance by a young Clint Eastwood. Tom Hennessey is the topside Gill Man this outing, with Browning aid in the suit for underwater shots.

Like most sequels, ROTC has its flaws, to be clear – one scene involves some visibly-imperfect wire work for one of the Gill Man’s victims, and for some reason the sculptors gave the classic Gill Man invent a pair of ping-pong-ball monster eyes, possibly for visibility purposes for the actors. But given the act it had to follow, ROTC is actually heavenly worthwhile…especially when you believe that this DID pick up remade by Universal, sort of, as “Jaws 3″. You figure out which one you’d rather eye.

THE CREATURE WALKS AMONG US

Fitting that for the last Gill Man movie, the Gill Man be forcibly removed from the undersea environment he’s at home in – this time by being doused in kerosene and flames by the dunderheaded assistant of obsessive scientist William Barton (Jeff Morrow), who’s obvious to reshape the Gill Man into a land-lubber – we never do fetch out why – unbiased as great as he’s distinct to do a complete subordinate out of his disillusioned child-bride wife Marcia (Leigh Snowden) . Once again, a nobler scientific mind enters the equation, Tom Morgan (Rex Reason), and his rescue of the Gill Man from positive death, combined with the Gill Man’s affinity for the opposite sex regardless of species, indicate favorable for Tom and Marcia when Dr. Barton begins eyeing those eyeing his wife with kill on his mind.

A lot of ‘fans’ don’t like this movie, but I do. It solidifies the two overall themes of the Gill Man movies – that humankind is its hold worst enemy, and that the Gill Man must deal with a world in which he doesn’t belong. The chemistry between the human characters closely resembles that of the first film – one scientific philosophy that suggests we could attend spiritually from what we learn, whereas another takes the path of benefitting materially from knowledge – and surprisingly, this time out the beast doesn’t acquire a beeline for the beauty, although he does reply her – maybe the Gill Man is honest tired of having his heart broken. The land-locked Gill Man is played by Don Megowan, with the character’s behold radically altered as the result of being burned (a site method re-used by Universal in “Jaws 2″ to cheesier execute) – heck, they even effect him in clothes! And Ricou Browning does earn one final appearance as the submerged Gill Man, with the befriend of stock footage from the first two films.

All in all, TCWAU does tie up the chronicle aesthetic effectively, if not necessarily happily – the last scene of the record is resplendent sunless – and with any luck Universal won’t besmirch what is a well-behaved trilogy of films with a crappy trend-driven remake.

BONUS FEATURES

* More audio commentary by Tom Weaver, joined by Bob Burns for ROTC and TCWAU, and Lori Nelson on ROTC. It’s fun to hear shared stories among the group, particularly Ms. Nelson talking about her film career and Burns sharing stories from members of the production team, so these commentaries are a lot less tight than that of the first film.

* More theatrical trailers, which are always a hoot, particularly the trailer for ROTC.

The bottom line: if you like your monster-movie series waterlogged, don’t extinguish your time with the “Jaws” sequels. Universal got it apt aid in the ’50s, and this is the proof. Catch this dwelling, by cracky!

As one of the six “Legacy” collections featuring the current Universal monsters, the Creature station has some distinctly unusual features. In one contrivance, it’s the sparsest collection, with only three movies, but it also is the only one with commentaries on all the films. Perhaps more importantly is the nature of the Creature himself. While the other monsters are either purely supernatural (Dracula, the Wolf Man), purely man-made (Frankenstein’s monster, the Invisible Man) or a combination of the two (the Mummy), only the Creature is a natural creature.

What also stands out in the Creature movies is that humanity in general comes off as the awful guys and the Creature is the most sympathetic figure. Acting in a generally defensive manner, the Creature is subjected to greater and greater torments. He actually is similar in this fashion to King Kong (which is not surprising, since the first two movies, when combined, are essentially remakes of that giant ape classic) .

As is typically the case, the first movie – The Creature from the Dark Lagoon – is the best in the bunch. Several scientists – as well as the necessary female like interest – go to South America in search of the bones of a legendary fish-man, only to secure a living one instead. The Creature develops an interest in the woman even as it wages war with the intruders in its Dark Lagoon, leading to several deaths before the final confrontation.

In Revenge of the Creature, the Creature is captured and brought to a marine amusement park, where it is chained up, studied and displayed for the masses. (In both this movie and the third one, there is a lot of confusion between salt-water and new water life, with the Creature forced to alternate between the two.) A la King Kong, eventually, he breaks free and goes on a rampage. While this film is most renowned for the veil debut of Clint Eastwood, this is actually only of minor significance: Eastwood is in the movie for only a small, playing a very atypical role as an inept lab assistant.

In the third movie – The Creature Walks Among Us – the Creature is captured again but seriously burned in the process. The process to assign him forces him to be a land creature, and this once grand creature of the Amazon is forced to live in the San Francisco Bay state, unable to be master of the water anymore.

The 1950s were not tall years in science fiction/horror film making, but the Creature movies, despite their flaws, are some of the best of the era, with a decent costume for the monster and reasonably righteous effects. Unprejudiced as it was influenced by King Kong, you can look the certain influence these movies had on others, in particular, Jaws. For Universal, this would be the last of their iconic monsters, and unlike the others, it has not been subject to any remakes. With decent commentaries and other features, this is a fun station, a solid four star collection that will please fans of classic monster movies.

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Watch Punisher: War Zone Online. Movie Title: Punisher: War Zone Average customer review: Punisher: War Zone is available for streaming or downloading. Click Here to Stream or Download Punisher: War Zone

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DON’T LISTEN to the negative reviews. SEE THIS MOVIE, although not with kids around that’s for sure (Hard R for violence and cursing but no nudity).

If you’re an action fan who has been craving for a non stop and over the top intense action movie, say no more and watch this movie!

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If copious amounts of gun action blood, guts and gore is what you’ve been dying to see infused into an action movie, this is your train, GET ONBOARD and don’t look back!

This movie kicks other action movies butts and asks questions later! It even has MORE (and well done) GORE than most HORROR movies!

Don’t get me wrong, the new Friday the 13th Remake was fun but it can’t hold a candle to the carnage that takes place in Punisher: War Zone!

Now, enough talk about the carnage that the Punisher dishes out, how about the rest of the movie.

Mostly based on the Punisher MAX ultra violent comic series, this movie holds true to the grittiness of that series therefore it’s no great surprise that the movie is over the top, what is a shocker is that the filmakers had the courage to stick with it and deliver in spades what most Punisher fans were clamoring for! Good story, cool good guys, nasty villians, lots of explosive action and no boring parts! The music soundtrack and sound effects were also very enjoyable.

Put it this way, I’m a fan and I ain’t complaining that’s for sure. If anything, i’m taking the time to write this wacky review…woot!

The 2004 Punisher was a decent enough action movie however this is THE definative Punisher movie and the one I would take onto my desert island.

The Dark Knight was an excellent movie for adults, Iron Man was an excellent movie for adults and kids, Punisher is an AWESOME BAD *** FUN movie for adults and young adults (if that makes any sense).

That’s the big difference for me when compared to The Dark Knight, PWZ (as I like to call it) is a very FUN movie to watch. I forgot what a 100% FUN movie was like until this one reminded me!

Iron Man was also fun, more than TDK that’s for sure but Punisher definately has it beat in that department for me.

The Joker would fit in nicely in this movie just as well but he wouldn’t be the only nut job, he would be one of many awesome bad dudes in this flick!

It’s a shame what happened to this movie in the Box Office, it didn’t deserve its fate. It’s definately worth spending the few bucks it costs to watch it and I hope that the actors, director Lexi Alexander and Marvel, heck even Lionsgate, recoup their financial and career investments.

Let me end by saying this, I’m not going into detail because my desire is not to ruin this movie for anyone but there are scenes in this movie that are groundbreaking and have never been filmed in the manner they were done here.

When I say that Punisher crosses the line and does stuff which will make your jaw drop, i’m not joking. I wish i could let it out but you’ll see for yourselves just how crazy this move is!

Remember, no little kiddies though.

Hey, can you tell that I liked it, and my name isn’t even Mikey….go figure.

Good Job Lexi, Ray, Dominic, Doug, Julie, Wayne and Marvel plus Lionsgate….Thanks for a FUN movie, box office be damned!

The Punisher finally…..well, you know…PUNISHES!

Hope you enjoyed this review from the heart.

Hey Lex, Ray..you know…Marvel, call me sometime, we’ll do lunch…..LOL!

Peace!

A new action movie in the spirit of Commando. A movie that is so over the top that it is funny to watch.

Where else will you see a man kill over 100 people?

Where else will you see a cop reading a man his Miranda rights and when the cop gets to the part “you have the right to remain silent” the punisher just blows the guys head off?

Where else will see a man explode via rocket fire while free running around the city?

This movie is just too good to be true.
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Watch My Man Godfrey Online. Movie Title: My Man Godfrey Average customer review: My Man Godfrey is available for streaming or downloading. Click Here to Stream or Download My Man Godfrey

ABOUT THIS EDITION:

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I am always skeptical about new releases of movies that are available in the Public Domain but this edition of My Man Godfrey with Life With Father as a bonus is definately worth having…If you want the best version of this film, Criterion is great but the price tag is a bit high[....]bucks…If you are looking for a good version for a reasonable price, this is it…There are really cheap versions out there but they are really bad with choppy picture and bad sound…

ABOUT THE MOVIE:

“My Man Godfrey” (1936): Having seen quite a few “Screwball” comedies, they seem to have a couple common goals: to take the audience’s mind off the less-than-perfect world outside, and, aim rapid fire, relentless, snappy patter at your brain. You MUST pay attention, or you’re quickly left behind. Maybe there’s a third goal: somewhere in all the high speed exchanges you’ll find a morality tale…the perfect “entertainment” during the American Great Depression. Carole Lombard, Alice Brady, Eugene Palette, and others – all of whom take roles of flakey, pointless, self-centered RICH people – find themselves facing a “Forgotten Man” (jobless, homeless), played by William Powell. Not EVERY thing IS as it seems, but for the most part, this is a story made for the average person still dealing with the collapsed U.S. market. It’s funny, demanding, full of wonderful sets and costumes, and reminds us that there are more important things in life than having a full wallet.

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My Man Godfrey could just be the greatest screwball comedy of all time as well as an amazing interpretation of just how blind the wealthy can be…

Godfrey is a lost man who is found by a rather spoiled upper east sider as part of a scavenger hunt. She takes him in and he becomes the family butler. Then, things start to go wrong with her father’s business and Godfrey steps in to help in an unexpected way. In the process, you find out who Godfrey REALLY is…

This edition comes with a great Xtra also, Life With Father, another comedy starring Willaim Powell alongside legendary actress Irene Dunne. In this one, a New York financier rules his numerous family in a calculated manor, when things start to go a bit nutty. A funny look at family life in the 1880’s, this movie is one of the best family films ever made and won several awards.
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Streaming The Guns of Navarone Online. Movie Title: The Guns of Navarone Average customer review: The Guns of Navarone is available for streaming or downloading. Click Here to Stream or Download The Guns of Navarone

The second movie in Columbia’s newest wave of World War II movies (along with “The Caine Mutiny”) is the 1961 Academy Award-winning film for Best Special Effects, “The Guns of Navarone,” which stars Gregory Peck as Keith Mallory, the leader of a group of British commandos tasked with destroying two tall German anti-ship guns.

The British are desperate to evacuate 2,000 soldiers from the Aegean island of Kiros, with the only sea route through a stretch of water commanded by the guns that are encased inside a massive cliffside bunker that is immune to air attack.

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Based on the best selling fresh by Alistair (Where Eagles Dare) MacLean, Mallory has been working on occupied Crete for two years and as an expert mountaineer is the perfect choice to ferry the team to the only fraction of Navarone not monitored by the Germans – a 400-foot cliff.

Joining Peck is David Niven as explosives expert John Anthony Miller and Anthony Quinn as a Greek resistance fighter.

MacLean is known for being able to weave together a astronomical myth and this movie is consistently piquant. In fact the film was already afforded a reliable special release on DVD in 2000. Columbia though have outdone themselves with this 2-disc region by adding a second audio commentary and four original documentaries.

The fresh release included a rather dry, faltering, but informative commentary by director J. Lee Thompson, a smattering of archival featurettes of varying quality and an anecdotal documentary on the making of the portray featuring on-camera interviews with Gregory Peck, Anthony Quinn, James Darren and J. Lee Thompson named “Memories of Navarone” and running at 29:34. It’s a nice, breezy documentary and intriguing – detailing some of the experiences the cast had working on the report.

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However this modern release includes a exciting commentary with historian Stephen J. Rubin who mentions that this film started the trend of Hollywood going outdoors. Up until this time most movies were filmed on the studios backlot, whereas this movie was filmed on the island of Rhodes. He also discusses the cast (including a very young Richard Harris) . Rubin also discusses some of the differences between the MacLean unique and the movie – which appear to be a number of changes to characterization and details some of the criticisms of the movie when it was released – including the fact that the actors were too obsolete to play commando’s, many being as they were in their 40s and 50s. Though Rubin posthaste adds that he feels it was cast perfectly.

Also included are two unusual documentaries, the first of these “Forging the Guns of Navarone” runs at 13:58 and includes on camera interviews with Eve Williams-Jones (the weak wife of producer Carl Foreman) and Assistant Director Peter Yates (who himself went on to become a very successful director in his contain apt) . Apparently Thompson was not the unusual director for the project and Yates credits Thompson for his ability to jump straight into a film that had already shot mighty of its second unit work as well as his ability to manage so many colossal name actors. Yates also reveals that despite their on-screen animosity towards each other, both Niven and Peck got along well together distinct to have as remarkable fun as possible on the portray. Yates also recounts how the crew would refer to it as “The biggest B-feature ever made.”

The second unusual documentary “The Ironic Story of Heroism” runs longer at 23:38 and is essentially an on-camera analysis of the movie by well-known Film Historian Sir Christopher Frayling (who was mistakenly credited with providing an audio commentary in the press release for this DVD release) . Frayling is quite keen as he recounts such facts as Foreman’s initial reluctance to handle the project. Foreman once said that he was incapable of making a movie that did not originate statements and he initially saw the MacLean book as a simple action adventure. It was not until he re-read the unique that he realized it could back to acquire statements about the futility of war and the ability of war to bring out the best in people.

Frayling also reflects on the fact that the movie was the first global production caper-style World War II movie to be played as an action adventure in a style he describes as “incredibly innovative.”

Also included on this recent release is the restored intermission with secure that was seen in some European cities (it is listed as an extra since it is not share of the official prick of the movie) and featurettes on the Dimitri Tiomkin glean which details the subtle differences throughout the movie and a bright discover at the UCLA restoration.

The restoration featurette details the tortured path towards restoring a film that was in such abominable shape that they needed several sources of modern negative, both from Columbia and a private collector. In an example of the work the UCLA team had to do, the print they were provided by Columbia had the plane fracture at the beginning of the movie happen in stout daylight. This apparently is how most people have seen the scene in unusual years. That was until one of the eagle-eyed team at UCLA noticed that one of the trucks had it’s headlights on and wondered why. Determined enough they were able to track down a copy of the print from a private collector that showed that the rupture happened at night with the camouflage various shades of blue – and that is how it was restored.

In another instance the print UCLA had also had the noxious dubbing of Richard Harris where the censor had the word “bloody” replaced with “ruddy” for some of the screenings in the UK (the word “bloody” is considered a allege word in the UK) . The UCLA team prevailed again and were able to locate a copy of the good audio composed intact) .

On a sidenote the DVD also affords fans of Tiomkin the opportinity to hear the opening sequence sans the anecdote as a special feature on the second disc. This apparently is a special feature that had been requested for years.

The Guns of Navarone is a unbelievable film that touches upon the yelp of how difficult it can be to do lawful choices during the course of a war. The screenplay is enthralling in the sense that every major character in the film has their beget notions of impartial how far they should go in applying the primary force “to acquire the job done” in a war.

The movie is about six saboteurs who must end two titanic guns, which indicate a difficulty to the Allied Navy. At the very beginning of the movie, viewers immediately have their first taste of a right problem when Commodore Jensen, the organizer of the mission, has to determine between sending six superb men to an almost disastrous and suicidal mission or simply scrapping the mission and leaving 2,000 trapped British soldiers to a distinct doom. Commodore Jensen sees the choice as a foregone conclusion and thus resorts to lying to the leaders of the mission in order to boost their confidence. Jensen however does feel the peril of leadership as he tells a fellow officer “I’m objective a man who has to send men off to die”.

The six saboteurs each have their recent specialties and views of morality. The first saboteur is Captain Mallory, the best mountain climber in the world and a competent linguist. Captain Mallory is a soldier who now has a utilitarian understanding of the world and no longer sees the world as sad or white. The second saboteur is Major Roy Franklin who is known for his luck and determination. Roy is as focused to the mission as Mallory, only he does not appear to be so in the eyes of his friend Corporal Miller, the third saboteur. Corporal Miller is the self-righteous chemical explosives expert whose philanthropic perception of the world directs his loyalty only to his friends and himself. The fourth is Private Brown “the Butcher of Barcelona” whose specialties are working with engines and using a knife. Although Brown is a seasoned customary with many kills under his belt, he has become wary of the war. The fifth saboteur is Colonel Stavros. Stavros, like Mallory and Franklin, focuses to the task at hand, but is also ever thoughtful of his personal vendettas. Finally, the last saboteur is Private Pappadimos, whom Jensen describes as a “born killer”.

The fair views of the six saboteurs will clash with each other several times during the movie as they debate about how to conduct a war and deal with human life. The lawful perceptions even point to to be the undoing of some of the men. The beauty of the movie is that ultimately the ongoing theme of morality further extends to the two women who later join the mission. Even the Germans are not exempt from this theme as the “normal” German soldier’s character contrasts itself sharply from that of the inhumane SS officer.

It is not surprisingly to regain that many world leaders savor watching The Guns of Navarone, since here is a film that touches upon an roar that is constantly ever-present in their minds. The burden of choosing the fates of others is after all, a burden that is felt by both the commander and the individual soldier alike.

The superbit version of The Guns of Navarone is an improvement over the first regular DVD release. The noticeable improvement is found mainly in the sound. A particular standout scene in terms of sound is where Stavros uses his sniper rifle to give camouflage against the advancing German Army. The superbit report quality while an improvement over the regular DVD release, is not as noticeably friendly as the superbit sound quality.
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